This next game is essentially the opposite situation from the previous commentary game: Black is the higher-rated by 200 Elo here and goes into a highly imbalanced opening, the Leningrad Dutch, which by its nature creates more winning chances. Of course imbalanced positions also create more losing chances, but IM Nazi Paikidze - one of the strongest female players in the U.S. - shows no fear of that, focusing instead on the opportunity to outplay her opponent. The initiative changes multiple times, but in the end the tactical potential of the Leningrad Dutch comes through.
It is unclear whether FM Thalia Cervantes Landeiro as White was surprised by Black's opening choice and therefore chose the Nh3-based sideline to avoid preparation. The Karlsbad Variation of the Leningrad Dutch, usually starting earlier with 4. Nh3, often features a subsequent aggressive deployment of the knight to f4 and an h-pawn push; however, that does not occur in this game. Incidentally, the best treatment of this sideline that I found in my Dutch books was contained in Steffen Pedersen's The Dutch for the Attacking Player.
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1.d4 f5 2.c4 Nf6 3.g3 g6 4.Bg2 Bg7 5.Nh3!? 0-0 6.0-0 d6 6...Nc6 7.d5 Na6 8.Nc3 Nc5 9.Be3 9.b4 9...e5 10.dxe6 Nxe6 11.Ng5 c6 11...Ng4 12.Nxe6 Nxe3 13.Nxd8 Nxd1 14.Nxb7 Nxc3 15.bxc3 Rb8 16.Rab1 Bxc3 17.Rfc1 Bd4 18.Bd5+ Kg7 19.e3 Bb6 20.Na5 Bd7 21.Nc6 Rbe8 22.h4 h6 23.Kg2 g5 24.hxg5 hxg5 25.Kf3 Rh8 26.Rh1 Kf6 27.Rxh8 Rxh8 28.Ke2 f4 29.gxf4 gxf4 30.Rg1 Rh2 31.Rg2 Rh3 32.Rg8 Bxc6 33.Bxc6 fxe3 34.fxe3 Rxe3+ 35.Kd1 Ra3 36.Rg2 Be3 37.Rb2 Rc3 38.Bd5 Ke5 39.Rb3 Rc1+ 40.Ke2 Bd4 41.Rd3 Bc3 42.Re3+ Kd4 43.Re4+ Kc5 44.Kd3 c6 45.Bf7 Be5 46.Re2 Kb4 47.Rc2 Rf1 48.Be6 a5 49.Bd7 Kc5 50.Rd2 Rf3+ 51.Ke2 Rf7 52.Be6 Re7 12.Nxe6 Bxe6 13.Qb3?! 13.b3 13...Qe7 14.Rad1 Ng4 15.Bf4 Ne5 16.Qb4 Rfd8 16...Nxc4 17.Bxd6 Nxd6 18.Qxd6 Qxd6 19.Rxd6 Kf7 17.b3 g5 18.Bd2 Rd7 19.Qa3 Rf8 20.Qc1 20.Qxa7 f4= 20...h6 20...f4 21.gxf4 Ng6 22.fxg5 d5 23.cxd5 cxd5 24.e4 Nh4 25.Nxd5 Bxd5 26.exd5 Nxg2 21.f4 gxf4 22.Bxf4 Kh7 22...Qf6 23.e4 Ng6 24.Be3 Qd8?! 24...f4 25.Bxf4 Bg4 26.Rd3 Qe6 27.Qd2 Be5 28.Bxh6 Rxf1+ 29.Kxf1 Rf7+ 25.Bh3 Rdf7 26.Qc2?! 26.c5 d5 27.exd5 cxd5± 27...Bxd5 28.Nxd5 cxd5 26...Qe7 27.Bf4 27.Bxa7? f4 28.Bxe6 Qxe6-+ 27...fxe4 28.Bxe6 Qxe6 29.Nxe4 d5 30.Nc5 30.Nf2 30...Qg4 31.Nd3 Bd4+ 32.Kh1 Re8 33.Rde1 33.Ne1!? 33...Rfe7 34.cxd5? 34.Rxe7+ Rxe7 35.Nc1 dxc4 36.bxc4 b6 34...Re2! 35.Rxe2 Rxe2 36.Qd1 Qh5 37.g4 Qxd5+ 0–1
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Cervantes Landeiro,T | 2175 | Paikidze,N | 2374 | 0–1 | A86 | 5 |
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Evaluation chart generated by HIARCS Chess Explorer Pro |
Hey there I just stumbled upon your blog and wanted to thank you for such an impressive and inspiring creation. I had a quick question for you on your experience with your Slav and Caro-Kann repetoire ... you mention in passing in your post on Why I Play Slav that you liked that both openings yield semi-open position but that seemed like a minor observation not a driving factor in repetoire selection. So my quesetion is whether you have found, as Soltis claimed in his "Defensive System" book, that it is a good idea for an intermediate player to use these two openings because they are thematically similar and lead to overlapping ideas and plans.
ReplyDeleteHello Andrew, thanks for stopping by and for the question. I'm not sure that "driving factor" is necessarily the right phrase, but by nature I felt more comfortable in semi-open type positions, so that was certainly one significant reason I settled on both the Caro-Kann and the Slav as my primary defenses. I'd say there are some similar pawn structure themes and plans because of the b7/c6/d5 chain and potential for queenside play down the c-file if the c-pawn is exchanged. It's also nice to have a few transposition ideas such as with the Blackmar-Diemer Gambit. However, I wouldn't say it's an overriding reason to pair the openings in your repertoire.
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