In this fifth-round tournament game as Black, having lost previously twice with that color, I managed to at least stop digging myself any further deeper into negative territory. This time I had the mental toughness to go ahead and play my somewhat risky repertoire line against the Two Knights in the Caro-Kann, unlike the previous time I had faced the variation, which ended in an embarassing loss (Annotated Game #271). While I slightly goofed in the opening, I still managed to equalize by around move 13, and sealed the draw by move 17 by achieving a structure that White could not break down. While I do not advocate playing for a draw from the start of the game, as that tends to have worse results in practice, I was fine achieving one here and breaking another losing streak as Black.
An examination of training and practical concepts for the improving chessplayer
28 May 2024
Annotated Game #280: When you are in a hole, stop digging
27 May 2024
Annotated Game #279: Do something different
With the first three tournament rounds going loss-draw-loss, I was sitting on -2 with a White coming up. The way I was playing, I did not relish another struggle in the Stonewall Attack, so decided I had to do something different to break the streak, turning to the English Opening. I ended up with exactly what I needed - after a number of exchanges, a much less stressful game with a small positional pull heading into a reduced material middlegame. This time, I handled the limited tactics well and converted into a winning pawn-up endgame.
The success here was more due to "meta" - the correct choice of opening, which really means the type of positions you want to play - than brilliant play over the board. This points out the value of having multiple openings in your repertoire, for different tournament situations or simply personal feelings on the day. Korchnoi often alluded to these types of choices in his annotations; mood can matter, as can listening to what your brain feels like doing at that particular time. There's also the simple rule that if you are threatening to "tilt", you should deliberately choose do something different than what you've been doing, and not keep going with the same approach that is obviously not working for you (at least in the moment).
26 May 2024
Annotated Game #278: If it is free, take it
In this third-round tournament game, ironically the first turning point is the free material that I did not take on move 19. The variations are slightly tricky, which were enough to confuse me at the time and deter me from taking the a-pawn, but they work out just fine in Black's favor. That was bad enough, but then I hung a piece for the second game in a row; this time my opponent had plenty of time on his clock and easily converted it. Boo.
25 May 2024
Annotated Game #277: A 19th-century lesson from Pillsbury
After my first-round loss as Black, I escaped with a draw as White in the second round after a wild game. I keep learning about move-order tricks and issues in the Stonewall Attack, with this game being another reminder of the one involving a Black Bd6 "targeting" the protected f4 pawn; this is a positional threat for a pawn exchange on d4, since White would be forced to recapture with the c-pawn and reach an unfavorable structure. (The same issue happens with Black in the Stonewall Defense.)
While neither myself or my opponent showed a consistent level of play in this game, during analysis I came across an excellent game from Harry Nelson Pillsbury that illustrated a much higher level of understanding of the position for White; the game score is included in the notes to move 10. A valuable lesson from the 19th century!
19 May 2024
Annotated Game #276: The KISS principle
The first round of the next tournament I played unfortunately kept to a familiar pattern: lose as Black. Often I play worst the first round, having to "shake off the rust" from not having played in a while, then my form improves. In this case I did not have that excuse, it coming just two weeks after the previous tournament - so perhaps that was the problem?!?
Regardless of the overall circumstances, game analysis shows I did not follow the KISS principle, which is very important in many endeavors - "Keep It Simple, Stupid" is the version I learned. Nowadays it appears that is considered offensive. In any case, the point is that making something needlessly complex = stupid, as overcomplicating things often leads to errors and failure. This is a repeated observation in this game - and in some of my other games - as I do things like avoid simple development and unnecessarily weaken my position. Eventually my opponent is able to take advantage of this, but really it was my repeated, unnecessarily complex moves that tipped the scale. When a move looks natural and good, maybe it just...is.
18 May 2024
Mastery Concept: Tactical Defense
Periodically I'll post what I have identified over time as key ideas at the board that distinguish Master-level chess from amateur level; they are collected in the sidebar in Mastery Concepts: Amateur vs. Master. Today's is the concept of Tactical Defense.
The fundmental idea behind "mastery concepts" is that they often do not occur at all to non-masters, but can be seen often in master-level chess. Sometimes we have the illusion that every possibility can be seen and calculated at the board, which is simply not the case. If you do not already have the idea in your mind - which also can be described as recognition of a pattern for a possible move - then the candidate move or necessary sequence is unlikely to even be considered as part of your thinking process.
Tactical defense of a piece means that your opponent cannot capture it, without suffering a heavier loss in return. This concept allows a player to effectively ignore an opponent's threat to a piece and do something else on the board. In terms of the thinking process, this means you are free to consider choices beyond physically protecting or moving the attacked piece - the most basic and "normal" candidate moves. This concept can be particularly crucial as part of an attacking sequence, or perhaps can simply allow for better positional play. As in the first example below, it may also mean you can consider moving a piece to where it is technically "en prise" but it cannot in fact be taken without consequences.
Naturally the best way to start identifying and absorbing concepts is to see examples of it in action. Below are several games that illustrate this type of play, mostly master-level but including one from my own game analysis.
Included in My Best Games by Victor Korchnoi, Game 100 (move 18)
Included in Grandmaster Performance by Lyev Polugaevsky, Game 43 (move 19)
Kramnik - Fridman, Dortmund 2013 (move 31)
Krush - Eswaran, U.S. Women's Championship 2014 (move 35)
Paikidze - Melekhina, U.S. Women's Championship 2015 (move 29)
Annotated Game #98: An Attacking Slav (move 21)
12 May 2024
Annotated Game #275: An opening shock and a bit of redemption
This final round game put an end to my bad run as Black, thanks to an opening shock that was the proximate cause of my opponent overlooking an unusual knight fork. I've been the victim of such assumptions in the opening phase myself, in which I don't look for tactics (or overlook them) because of the mental presumption that they are not possible so early in the game. Here, the 3...dxc4 line in the Slav after 3. Nc3 is not all that unusual, but most people play 3...Nf6 and I've repeatedly seen surprise on my opponent's faces at the Class level.
Despite being down major material, my opponent still was up for the fight, so I focused my strategy on eliminating any possible counterplay; perhaps some thanks are due to previous study of Petrosian's games. This included giving back some of the material to eliminate White's strongly placed knight, a useful counter-example to some of my past too-materialist thinking, and the decision was fully validated by the engine. Thinking about the board situation in this type of dynamic (rather than static) fashion is what I need to do more.
11 May 2024
Annotated Game #274: The en passant rule and a repertoire hole
In this next game my opponent played well in the opening against my Stonewall Attack, and indeed put her finger (figuratively) on a significant repertoire hole for me. By move 9 I am significantly worse positionally and do not help my cause by delaying a knight jump into e5. However, things turn around due to my opponent not fully comprehending the en passant rule, attempting to execute it illegally and then being forced to move the pawn involved, which dropped a piece. I did not take the win for granted, however, and seriously focused on calculating out my defense afterwards, given some potentially scary-looking operations by Black down the now-open g-file. This was successful, thanks to a well-placed knight and rook combination, even though my kingside ended up denuded of pawns. I was then able to break through in the center and unleash my queen decisively.
07 May 2024
Training quote of the day #47: Michael Prusikin
From the introduction to Attacking Strategies for Club Players, by GM Michael Prusikin:
In some ways, learning how to play chess is like learning a foreign language. Both chess and languages are comprised of blocks of information, so-called 'chunks', that we memorise and then must put together / apply correctly on the board (or when speaking). In chess we generally talk in this connection about 'patterns', a typical example being the different mating motifs such as the back-rank mate, smothered mate etc. Of course, there are also corresponding chunks for the topics of strategy and the endgame. A strong chess player differs from one less strong primarily by the greater number of chunks that he has internalised. Talent and creativity have an impact when the player, in a tournament situation, 'digs out' from his memory the right chunks at the right time and puts them together. As useful as general rules and strategic explanations may be, the number of internalised tactical and strategic patterns is, as already mentioned, the crucial factor when it comes to playing strength.
04 May 2024
Annotated Game #273: A bad run as Black
In our chess careers, sometimes we have extended "runs" (good ones with wins, or bad ones with losses) with the results for one color; with this tournament game, I managed to extend my Black run to five losses over multiple tournaments. It is relatively easy under those circumstances to start seriously questioning your repertoire choices, having an sinking feeling whenever you see a Black on the pairing chart, etc. Here the value of analyzing your own games and better understanding what is actually going on helps combat over-reactions.
Last seen in Annotated Game #262: An unhappy introduction to the Fantasy Variation, this opening is also sub-par for me, but not an unmitigated disaster. The key lesson from the early phase is the idea - also seen in my preferred answer to the Caro-Kann Advance variation - of using the ...c5 pawn lever against White's center. Unfortunately it's an idea that I completely missed - but will remember in the future.
Instead I make the strategic mistake on move 10 for going for a closed position, which resulted in an initiative for White and awkward cramping for myself, until I finally get some counterplay going with a b-pawn advance. I then get a bit lucky when my opponent misses a pin-related tactic on move 20, but mishandle the calculations. It's also notable that my thinking is too materialistic, a repeated observation I've had recently.
While my opponent was legitimately lower-rated, he was certainly much stronger than his actual rating - I would estimate high Class C / low Class B - and I give him props for fighting spirit after suffering a tactical blow, then taking full advantage of my blunders, with the game effectively over after the sequence starting on move 27.
01 May 2024
Annotated Game #272: The power of the pawn lever
After a disappointing first round loss, I was set to fight back as White and was able to get a classic Stonewall Attack on the board, with the result living up to the opening's name. I'm still learning about the ins and outs of the position type, with the primary lesson from this game being the huge power of the e4 pawn lever when the conditions are right. This idea kept reappearing in analysis, including in a final version with a rook sacrifice. The main point is that White's pieces can be unleashed against an insufficiently defended Black kingside, so the sacrificed material is irrelevant. This is a common theme across similar openings, such as the Colle System, so is important to keep in mind, even early on.